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The Art-House Consensus | The New Yorker
www.newyorker.com
This is a very imperfect intersection between what’s produced, marketed, and accepted as an art-house movie and what is actually significant movie art.
Michael Mann en cinq films | Vogue France
www.vogue.fr
... certaine morale personnelle (comme dans les tragédies antiques de Sophocle), qu'on soit flic ou bandit. En salle actuellement. Par Jean-Sébastien Chauvin.
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